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The film opens with compelling weirdness, with Michael Fassbender’s android stuck in a huge white room, unfurnished but for a grand piano, in philosophical conversation with his creator, Peter Weyland (Guy Pearce).
Fassbender is wonderful in this film, not in one challenging role as a ‘synthetic’, but two.
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Alien: Covenant carries all his hallmarks: a grasp of size and scope that few other directors can match, a flair for storytelling and a mastery of tension, all fused with a lively sense of mischief.
Consider his mighty filmography: it includes Blade Runner, Thelma And Louise, Gladiator and The Martian (as well as the 2014 stinker Exodus: Gods And Kings as a reminder that the great man doesn’t always get it right).
I don’t doubt that Scott’s overriding objective was to make a scary sci-fi picture, but it’s not too fanciful to find parallels with one or two megalomaniacs on our own planet.As in Prometheus, he plays the suavely sinister David, but he gets more screen time as friendly Walter, who has to administer an early alarm call to the crew of the spaceship Covenant, raising them from their sleeping pods where they and 2,000 civilian colonists are Rip Van Winkling their way to a distant planet.What might with considerable understatement be described as nasty turbulence has left the Covenant in extreme bother.Yet where the actual movie is concerned, the veteran director could hardly have asserted himself more powerfully.Scott has never made a secret of his admiration for the late Stanley Kubrick, and there are conspicuous nods in this film to Kubrick’s 1968 epic 2001: A Space Odyssey, but Scott is inspired by nobody more than himself.